Romance is one of the last fiction genres to find a place on college syllabi at a time when the academy seems to be welcoming serious scrutiny of everything from The Wizard of Oz to Beyonce and Miley Cyrus. And while there’s all the fervent intellectual wrestling of any academic discipline, these romance scholars are writing a post-feminist narrative in which the anti-romance second-wave feminism of the ’70s and ’80s is over, along with all the dissing and belittling that came with it. Continue reading